Although one of the NWOBHM’s lesser-known bands with just two compilation tracks to their name, Alien were certainly not without their fans. In his NWOBHM Encyclopedia Malc Macmillan is effusive with his praise, referring to them as the “criminally ignored Alien, whose ‘Absolute Zero’ effort is of the same standard of genius as their contribution (‘Could Have Done Better’) to the ‘One Take No Dubs’ EP, so it’s a complete mystery how this mob failed to land a deal, either with Neat or anyone else.” With a new track from Alien’s 1982 Impulse Studios demo appearing on iTunes, bassist Peter Whiskard was happy to relate what he could remember of those heady days of the early Eighties.


“Alien was formed in the North East of England in the early 1980s in a small town called Felling,” he begins. “The original members started in a band called The Flakes with Derek Storey (vocals), Ken McKie (drums), Phil Armstrong (guitar) and Terry Flynn (bass). When Phil left he was replaced by Ron Anderson, and this line-up then became Alien. Terry was replaced by Jimmy Giro from local cult band Punishment of Luxury; when they recorded an album and reformed to go on tour, Alien put an ad in the local paper in early 1982 for a new bass guitarist, which I answered. They were looking for someone with a heavier style than Jimmy, who was in their words ‘too funky’! I’d previously been in a band called Bad Luck who’d recorded at Impulse Studios.

“Alien proceeded to rehearse, rework some old material and start gigging, but from the beginning the band was beset with problems. We were all basically unemployed and money was in short supply which didn’t help, and Derek and Ron could be very temperamental and had particularly complicated private lives. Ron was known as ‘The Vicar’ because of his decidedly uncool hairstyle; he was a well-known eccentric, but a brilliant guitarist who lived for music. However, he would sometimes turn up to gigs or rehearsals having no guitar or equipment – once he sold his guitar to pay off debts! – but there would always be someone willing to run around and get what he needed just in time; such was the devotion with which he was regarded. Ken and I were stabilising influences who managed to keep things going. But although we gelled tremendously as a group and gave some electrifying performances, we never really got any momentum going. We did still however manage to write new material.”

Peter recalls that at one stage CBS Records appeared interested, but nothing came of it. “A lifeline” in his words, came in the form of Neat Records’ famed £50 demo package, in which for a flat fee bands could record a live-in-the-studio demo at Neat’s Impulse Studios. “I don't recall how exactly we were approached,” Peter recalls, but he thinks that there was an “understanding that a track would be issued on the ‘One Take No Dubs’ compilation as well as a cassette exclusively sold through the Sounds and Kerrang! music newspapers.


“The idea behind the session was to keep the process as simple as possible and try to create a ‘live’ feel to the recording. The understanding was that each band paid a nominal fee for the recording then the tracks would be released. All mechanical royalties would go to the bands, so we did just about make our money back. As it happened the ‘no overdubs’ was truthful but there was perhaps more than ‘one take’ for each track that went onto it! For backing vocals we drafted in our old friend and ex-bass player Jimmy Giro, and the session was produced by the amazing Keith Nichol who was a true professional. As I said, I had used Impulse on two previous occasions with Bad Luck (awful name!). We self-financed a single through the studio, but the studio owner David Wood obviously didn't want it under the Neat label. It was given the number IS/BL1054 and was again produced and engineered by Keith Nichol.”

‘Could Have Done Better’ appeared on the ‘One Take No Dubs EP’ in February 1983. Meanwhile, another track from the session, ‘Absolute Zero’, had been included on Neat’s ‘60 Minutes Plus Heavy Metal Compilation’ cassette, which later appeared in Europe on vinyl in shortened form (although still including Alien’s contribution) under the title ‘All Hell Let Loose’. However, as Peter recalls, “even this relative promise of success was complicated with problems as the singer was convinced that David Wood was attempting to exploit the band financially and this led to a falling out. We did proceed in stops and starts through 1983, at one stage ‘reforming’ for a charity gig for a friend who’d lost both legs in a motorbike accident, but eventually the band completely fragmented by the autumn of ’83 which was a great shame as even now I consider that Alien had the most promise of any band I have ever been in.

“Two more tracks from that session were unreleased at the time: ‘Who Needs The Army’ and ‘Yesterday’s Confusion’. As we had already agreed to use ‘Absolute Zero’ and ‘Could Have Done Better’ these others were a bit rushed in the studio, but I still contend that ‘Who Needs The Army’ is still regarded as our tour de force as it was literally done in ‘one take’ and featured some amazing improvisation in the middle section that displayed Ron’s guitar virtuosity like nothing else.
“Unfortunately Ron recently died. Someone who seemed to know him told me it was the inevitable consequences of the alcoholism that was beginning to be evident even when I knew him in 1982. I tracked down a YouTube clip of him playing, and although the sound is quite poor it still shows what a talent he was.

“It’s a great shame that the band never really got going for long enough to be able to tour. Probably my favourite gig was at the Mayfair Ballroom in Newcastle, as that is where all the major acts of that era went such as AC/DC, Judas Priest and Thin Lizzy. It was for a Neat Records showcase with Raven amongst others as far as I can remember.”

To buy ‘Who Needs The Army’ go to:

© John Tucker April 2018